To mark six years of the arbitrary arrests and imprisonment of political dissidents in the Bhima Koregaon case, The Polis Project is publishing a series of writings by the BK-16, and their families, friends and partners. By describing various aspects of the past six years, the series offers a glimpse into the BK-16’s lives inside prison, as well as the struggles of their loved ones outside. Each piece in the series is complemented by Arun Ferreira’s striking and evocative artwork.

BK-16 PRISON DIARIES: VERNON GONSALVES ON THE STRUGGLE TO READ AND WRITE BEHIND BARS

14/06/2024

THE POLIS PROJECT / VERNON GONSALVES

A prison peer-view that I cherish is a drawing by the artist Arun Ferreira, when we were fellow inmates of Nagpur Central Prison in 2011. He shows me sitting at the gate of my cell, writing-pad in hand, and writing—or rather, trying to write. It’s aptly titled, “Some Sophisticated Self-Deception.”
Perhaps I like it because it’s an image that I, like many other political prisoners, wanted as a prison self-image—someone who’s not wasting away his years behind bars. Someone who has some output, even if “only” intellectual output.
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INTRODUCING THE BK-16 PRISON DIARIES SERIES

13/06/2024

THE POLIS PROJECT / By THE POLIS PROJECT

On 1 January 1818, a small British battalion mainly comprising Dalit soldiers from the oppressed Mahar caste defeated an army of dominant-caste Peshwas at Koregaon. The battle gained a legendary status, representing a victory not just in Bhima Koregaon, but against caste injustices perpetrated by the Peshwas. The Mahar community celebrates the anniversary as a festival called “Valour Day,” and many make an annual pilgrimage to an obelisk at the site that memorialises the battle.
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