The Wire / by Mekhala Saran

‘Jail is not just a microcosm of society, but it also mimics the social hierarchy and divisions outside.’
Early afternoon sunlight floods into Sahba Husain and Gautam Navlakha’s home, which is full of books and art, and cool and airy even in the Delhi summer.
When I visit them, a little ahead of the second anniversary of Navlakha’s bail (May 14), I ask them if I can photograph them, by the entrance of their flat, in front of a painting of a bird in flight. My hope is to recreate a photograph from six years ago, clicked in April 2020, right before Navlakha, then a 68-year-old human rights activist, was compelled to surrender before the National Investigation Agency.
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Also read:
▪ NIA court rejects Varavara Rao’s plea to permanently relocate to his hometown of Hyderabad (Times of India / March 2026)
▪ ‘I have empirical basis… I stand by what I’ve written, I’ve no regrets’: Gautam Navlakha (The Indian Express / Feb 2026)
▪ Voices From Prison: In The Isolation of the Anda Ward, We Dared To Sing, Writes Gautam Navlakha (Outlook / Jan 2026)
▪ Bombay High Court allows Gautam Navlakha to return to Delhi, relaxes restrictive bail condition in Bhima Koregaon Case (Sabrang India / Dec 2025)
▪ THE BK-16 PRISON DIARIES SERIES (THE POLIS PROJECT / JUNE 2024)

To mark six years of the arbitrary arrests and imprisonment of political dissidents in the Bhima Koregaon case, The Polis Project is publishing a series of writings by the BK-16, and their families, friends and partners. By describing various aspects of the past six years, the series offers a glimpse into the BK-16’s lives inside prison, as well as the struggles of their loved ones outside. Each piece in the series is complemented by Arun Ferreira’s striking and evocative artwork.

INTRODUCING THE BK-16 PRISON DIARIES SERIES (THE POLIS PROJECT / JUNE 2024)